Thursday, June 2, 2011

Zero Digital Introduces Osbahr; not your average rookie.


You would never know from listening to his new release "Inertia" that Emilio Osbahr only got serious about producing about a year ago.   His interest in making music was sparked just 3 years ago, and he currently uses nothing more than a Mac and Midi hooked up to Abelton with a few plug-ins.   I'm a firm believer that it's not about what tools you can afford, but what you can make happen with them.

"Well I was born in El Paso Texas, but I grew up in Mexico City until I was 18. Then I decided to move to Ohio to go to school, and finally I ended up in San Diego, California. So basically my passion for music started in Mexico listening to Trance and House music science I was 14 years old."

Osbahr has noticed that the scene here in San Diego, while still on the smaller side compared to many cities around the world, is much larger than what he found in Ohio.  He's taken some time off from DJ-ing to focus on producing, but plans on getting back in the game.

"My music style has changed a little bit, getting little more Progressive, focusing more on creating deeper sounds than before and…My biggest influences would be Manuel De La Mare,  Avicii, Bass Kleph, Sander Kleinenberg and Armin Van Buuren."

A self-proclaimed perfectionist, Osbahr's tracks have achieved a lovely tone with complex progressive sounds paired with a dance-worthy beat.  I like that each aonf changes quite frequently and lots of new layers are being introduced throughout.  I can imagine them all being played in a large club or massive, with the ability to keep a crowd entertained and moving.

"My goal is to create an unforgettable experience or emotion with my music either performing or producing."


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"Inertia" by Osbahr is available Today: June 2nd 2011 from [[Zero Digital]] on Beatport: Inertia by Osbahr on Beatport


-Pogoda

Thursday, May 26, 2011

Eschaton by Stillwell - Raising Psytrance up from the Underground


Stillwell brings us something that the American dance scene is severely lacking; good Psychedelic Trance. Until recently, Stillwell has produced mostly Techno, but now he brings us two skillfully crafted Psy tracks.  Eschaton refers to the end of the present world, and I'm thinking that this marks a shift in the taste of American EDM lovers to take on something a little more conscious.  And to the rest of the planet, you already know what's up.

Stillwell has been spinning Psytrance for years now, and slowly introducing it to parties where you wouldn't typically expect to hear it played.  If you are unfamiliar with the genre, don't be fooled by the word "trance", because Psytrance has a distinctive, speedy sound (generally between 140 and 150 BPM) that tends to be faster than other forms of trance or techno music.  Dubstep has made its breakthrough out of the underground in recent years, and now I think it's time to kick up the pace.

            "I’ve been DJing and producing parties for 11 years now, though not until the last 3 have I really understood what it takes to really make it in the industry. My struggles have been the same as many starving artists; trying to make it from one gig to the next."

Stillwell has been playing out every weekend to new crowds, and introducing his unique style to parties that for the most part feature more mainstream genres of music.  The tracks on Eschaton were produced solely on his laptop since he's been on the road so often lately.  He calls San Diego home base but has found new fans in every city he plays:

            "The EDM scene here in San Diego is mostly commercial nightclubs, and I do play them, but I like festivals and outdoor parties most.  I find that energy that these events bring is more pure and that and the amount of people is usually far more than any local club can hold."

Because the genre is still new to a lot of the people he plays for, and since it is so high-energy, Stillwell often likes to play the after-hours set, or at least the last set of the night.

            "Wherever I play Psy-trance I’m the only one doing it. When I first started there was definitely a bigger Psy scene up North in SF, but it's definitely died down a lot."

The first track on Eschaton, "Darkness Whispers", wastes no time getting the energy going and features Stillwell's characteristic deep dark sounds with rock guitar-esque chords.  The song has a lot of depth and requires several listens to really get an understanding of the intricate sounds and changes.  The second track, "Where'd That Come From?" still features the driving beat, but is a bit more uplifting with mystical soundscapes and other-worldly tones that come back to earth with some organic guitar plucking.  Meticulously assembled, extremely danceable, and reminiscent of some older Infected Mushroom, these tracks are sure to slay dancefloors around the world…both in the club and under the stars.


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Eschaton is now available from Stillwell's own label Zero Digital Records, in which he has partnered with several other artists in Southern California.  You can catch him live at Spin Nightclub on May 27th in San Diego, The Dome on June 4th in Bakersfield, June 12th at 710 Club in San Diego, and Papas in Beer June 26th in Rosaritto MX.

Like Stillwell on Facebook:  Official Stillwell


-Pogoda





Friday, May 20, 2011

Nash Donson strikes again: "Dream In A Dream" Remix Album Out Now



The "Silent Serbian" as I've dubbed him (since he doesn't seem to be interested in creating a presence aside from his fantastic music production), has sparked the interest of 4 other inspired artists to remix his recently released tech house track "Dream In A Dream".   This remix album will mark the 36th release for Southern California's Electronic Music Label Zero Digital, and has tracks by Amir Abbasi, Brajan, Matteo Monero, and Projekt Inertia.


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 The original "Dream In A Dream" track features technical but dreamy ambient sound highlighted by bouncy boops and bops to progress into a more spacey and robotic melody.  It's the kind of song that would serve as a self-reflective interlude to something more aggressive or a beautiful soundscape that you would expect during the self-realization period of a movie soundtrack.

Amir Abbasi's remix has more of a punchy beat and the dreaminess turns more dark robotic and extraterrestrial.  Brajan's version starts off more minimalistic and the build happens slowly with moments of near-silence; very calming, introspective, and trancey.  Matteo Monero goes even more ambient with nothing but a very mellow beat that is introduced almost 1/3rd into the track, but I enjoy the brightness of sound and positive almost psychedelic interpretation of Nash's original sounds, very uplifting and twinkling. It's something that would be perfect paired with a calm desert sunrise.  And finally, Projekt Inertia provides probably the most danceable of all the remixes with a bouncier beat and interesting echo effect on some of the sounds.  It still holds a lot of the ambient elements, but has that little extra techy kick that makes you want to move your feet.

In all, it's quite a well-rounded take on a single, thoughtfully designed track whose elements have been interpreted to suit several different moods and environments.  I'm happy to see that Nash Donson has evoked this kind of creativity from a unique range of producers.  The "Dream In A Dream" Remix album is now available on Beatport from Zero Digital Records.  Check out Zero Digital on Facebook: www.facebook.com/zerodigital and by visiting zerodigitalrecords.com.
  -Pogoda

Friday, March 11, 2011

The Real Side of Brandon DeCarlo



On the heels of Brandon DeCarlo's newest release "3 Sides To Every Story", I took a moment to find out a little more about our newest artist here on Zero Digital.  He's been producing music for almost 2 decades, and during that time, has seen the evolution of electronic music and its respective scenes both in America and overseas.  He's undergone his own personal transformations, in efforts to push the envelope and bring something new and different to an overly-commercialized society.  

Pogoda: How long have you been producing?  
BDC: I started producing Hip Hop and techno in 1992.  In addition to techno, I produced Hip Hop with a couple of close friends of mine Muhammad and Hakim Bell (sons of Robert "Kool" Bell of Kool and the Gang) and then eventually stepped away from Hip Hop and focused exclusively on Techno.

Pogoda: Describe your studio. What kind of software are you using to produce?  
BDC: I have a home based digital studio. Mac/Cubase (although I'm going back to Logic...), hundreds of plug-ins and hundreds of gigs of sounds. 

Pogoda: Tell me a little about your history as a producer.  
BDC: Hmmm... well as I stated I started doing this in 1992 and I'm still at it so either I'm crazy or glutten..lol... time will tell I suppose.  During the nearly 20 yrs I've had quite a few high points (working with Lauryn Hill, recording at NYC's Hit Factory, working in Frankfurt Germany for Corrado Izzo & Marco Carola's distribution/licensing company ELP Medien, and recently becoming one of Kevin Saunderson's main artists for his Legendary KMS Records) and there have been TONS of low points (I'll spare you the details...lol)...but all in all you learn from experiences both good and bad and if your desire, persistence and commitment to hard work is strong enough eventually something good will happen.

Pogoda: What is the EDM scene like where you live?  Are you actively involved?  
BDC: I grew up in the NYC area and it was clubbing/rave scene there that hooked its claws in starting at around 17. Throughout the 90's I used to strictly perform live (i.e. keyboards, sequencers ...pre lap top/ Abelton stuff...) all of the NY/NJ/PA area things were getting exciting then 9/11 hit and basically destroyed the entire nightlife scene in NYC. I left for Germany in 2002 to work for ELP as a producer & sales person at their office. This was just about the time that mp3's started taking over as the medium of choice and it had a negative impact on ELP's business so after a while I decided to return to the states. After moving back from Germany in 2003 I decided to try living out west and it didn't take long before I hooked up with some promoters in Phoenix and was playing out on pretty much a weekly basis. Ultimately I grew tired of the clicks of (dj's, promoters, etc) trying to be local heros whatever, and all the "amateur night" games, so I decided a few years ago to only play a few select events (with the right promoters) out here per year and focus more of my time on producing. Having said that, Arizona is an amazing place and I've been lucky enough to play at some of the most unique events ever thrown, and the people are great. There is a large contingent of "Burners" out here and this is the crowd who I mainly identify with these days. From a music perspective, they are as open minded (or more) than people who live on either coast, and they have tons of energy.

Pogoda: What shows do you have coming up and where? 
BDC: My next gigs are in Philadelphia and NYC in April, then possibly in Detroit at a DEMF after party w/ Kevin Saunderson, Derrick May and Juan Atkins in May, then a couple of gigs in Phoenix and out in the desert in June, from there its up in the air... I'd like to go back to Europe and to Puerto Rico and The Dominican later in the year. I'm in the process of searching for representation both here in the states and overseas so as soon as that happens, things should be pretty crazy (I hope).

Pogoda: How has your musical style evolved?  What artists have been your biggest influences?  
BDC: I try hard not to find my self copying stuff that I've done before which can be tough, but if we were to listen to what I've made over the years you probably say there's a certain feel in my music, but each track sounds different than the last, and I'm pretty proud of that. I also try hard to do "me" as opposed to follow trends of the day or whatever. As far as influences, there are so many. People like Joey Beltram, Kevin Saunderson, Derrick May, Jeff Mills, Richie Hawtin, Frankie Bones, Adam X and Heather Heart, Woody Mcbride, to house guys like Todd Terry, Danny Teneglia, Saeed Younan, Paul Johnson..so many more that I can't think of... 

Pogoda: In what sort of setting would you expect to see these tracks played? (ie: rave, nightclub, lounge, elevator)?  
BDC: Good question... I produce techno, tribal tech house, along with ambient/downtempo so depending on the situation....  all of the above. :-)

Pogoda: To what sorts of mediums would you like to see your tracks licensed to (ie: video games, movie soundtracks, commercials)? 
BDC: Hmm....all of the above!!! Seriously, I'd love to do some commercials at some point down the road. Maybe even a movie soundtrack or two...

Pogoda: What do you hope to accomplish through your production and performance in the future? 
BDC: All I want is to do my part in (as Derrick May would say) "saving the world from bad music".  EDM has almost become fully commercialized particularly in the states, so if I can bring something different, that people aren't having force fed on them, and makes them lose themselves even for just a few hours on the dance floor or at home or in their car (just pay attention to the road please...lol), then that is more than I could ask for.

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Wednesday, February 23, 2011

Debut Release from The Izm: Decibelizm

     Available Worldwide tomorrow on Beatport, we are very excited to announce the Debut Album from our newest Zero Digital artist: The Izm.

Combining elements of Electro and Dubstep with industrial and digital hardcore influences, this release accomplishes his goal of:
"craft(ing) a sonic environment that nurtures human ideals (ism's) while speaking to the primal display of life that exists on the dance floor"
     Keep an eye on this emerging artist, who has the energy, drive, and evolved skill that we know is going to take him to the top.

Monday, December 20, 2010

Happy Holidays From Zero Digital, Give the Gift of Music!

All albums are still 50% off until January 1st on ZeroDigitalRecords.com

Check our our latest Release from Scott B with Remixes by Accentbuster, Verche, and Oscar Bravo.

You can hear full versions of each track on



Saturday, November 27, 2010

A "Thank You" from Zero Digital

50% off ALL ALBUMS through December 1st!

We'd like to thank all our fans, listeners, and supporters this holiday season by offering our entire catalog for half off through the website: Zero Digital Releases